
70's
Zulmiro de Carvalho, José de Guimarães, Ângelo de Sousa
The work of José de Guimarães proposes crossovers with the art of African, Chinese and Mesoamerican civilizations, in a never-ending search for non-verbal relationships, which is also reflected in his practice as a collector on which he has been focusing for several decades.
A stay in Angola during the 1960s and 1970s was to become a determining vector in defining his artistic vocabulary, driven by an effort to create an osmosis between two forms of visual expression, European and African. Yet, if the first decade of artistic production was based in Africa, his more than forty years of work displays complete series focused on the Chinese and Japanese cultures, on the art of Rubens, the literature of Camões and the unique conception of death in Mexico. In the last few years, his path has reflected a tendentiously cosmopolitan vocation of forms and figures.
His visual expression has privileged the light of neons and LEDs, especially in his wooden boxes, which propose an exterior of austerity in contrast with the scenographic setting of their interior space, fitted out with the luminous strokes of neons and LEDs, painting, collages and objects deflected from the meaning conferred by their traditional function.
Having held a vast number of exhibitions in several countries, he has been subject of several anthological or retrospective exhibitions in Portugal, Spain, Belgium, Germany, Switzerland, Italy, Brazil, Angola, China and Japan.

Zulmiro de Carvalho, José de Guimarães, Ângelo de Sousa

José de Guimarães
José de Guimarães, Paulo Nozolino, João Queiroz, Ângelo de Sousa, Pedro Tropa
José de Guimarães
José de Guimarães, Álvaro Lapa, Ângelo de Sousa
Álvaro Lapa, José de Guimarães, Fernando Lanhas, Viladecans, Ângelo de Sousa, Antoni Tàpies, entre outros
José de Guimarães
Júlio Pomar, Nadir Afonso, Paula Rego, José de Guimarães, Ângelo de Sousa, entre outros
Júlio Pomar, Paula Rego, José de Guimarães


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