
The long-lasting intimacy of strangers
Candice Lin
Exhibiting since 2001, Candice Lin works with a variety of media such as drawing, video, sculpture, performance and installation. The practice of the artist is a permanent inquiry into racial and gender issues, and how power structures, especially colonialism and imperialism, are involved in the construction of identities. Traversing her work is always the idea that the construction of identity based on the difference, whether national, racial, religious or of gender, is a kind of magic that denies cultural subjectivity.
Lin builds her projects from an extensive archive composed by texts and images, usually from a repressed past: documents of military records, records of slave plantations, diaries, case studies from psychiatric institutions, paintings and engravings of the New World, the so-called “caste paintings”, which emerged in Eighteenth-century Mexico, the ethnographic photographs of the World Fairs, among many others. What the artist seeks is marginal gestures or expressions, that which is on the background of the image, what is read between the lines, the unsaid, what was silenced.











