
shapes and forces
Susana Mendes Silva, António Bolota, Zulmiro de Carvalho, Alexandre Estrela, Fernando Lanhas, Candice Lin, João Queiroz, Isabel Ribeiro, Arlindo Silva, Ângelo de Sousa, Sérgio Taborda, Pedro Tropa, Willem Weismann, Christine Fowler
Alexandre Estrela began exhibiting his work in the early 90s as part of a generation that stood out for the organization and promotion of collective exhibitions and events. In recent years, the press referred the relevance of several of his exhibitions, like Stargate, organized by Museu do Chiado, Lisbon (2006), Putting Fear in its Place, at Chiado 8, Lisbon (2008), and Viagem ao Meio, at gallery ZDB, Lisbon (2010).
Film and video are the central media in the practice of Alexandre Estrela, who defines it as an approach of “formal and conceptual issues arising from the intersection of images and matter”. Having a broad technical and historical knowledge of the media he uses, the artist creates complex systems taking advantage of the characteristics of the devices: the camera, the video projector, the screen and the perceptual reception of images. Visual effects, associations of sound and image, creation of synopses and titles which sometimes correspond with the image and sometimes not, and the transformation of the architecture of the space, are strategies frequently used by the artist to deconstruct the usual ways of perception and knowledge of objects and space.
To create misunderstandings, mislead, lead to decoding, require decisions, are processes induced by the artist who is interested in the coexistence of several layers of meaning and levels of perception, in an attempt to activate a critical consciousness in the viewer.
At the moment, Alexandre Estrela is doing a PhD about the concreteness of the moving image, a research that will have its final presentation in an exhibition at Fundação de Serralves, in 2013.